On Breaking the Chains That Bind? Thoughts on SB19’s ‘Kalakal’ – Bulatlat

By JANESS ANN J. ELLAO
Bulatlat.com

MANILA – SB19’s latest release, “Kalakal,” has been generating a lot of discussion among fans and critics.

The song, featuring iconic Filipino rapper Gloc-9, delves into the realities that artists face in the music industry. Fans interpret “Kalakal” as a bold statement about SB19’s journey and the challenges they face as artists are treated like commodities.

However, the song’s message extends beyond personal struggles and touches on broader societal issues, particularly the conditions faced by young and emerging artists. As Josh Cullen aptly puts it, “paano pa kaya kapag naputol itong kadena,” which can be interpreted as metaphorical shackles that bind many talented individuals and prevent them from reaching their full potential.

There has been much talk recently about the vulnerable circumstances in which young, talented artists often find themselves, including exploitation by sexual predators within the entertainment industry.

In the Philippines, recent allegations have brought this issue to the forefront. Actor Sandro Muhlach testified at a Senate hearing about his alleged rape by industry insiders. Similarly, a music director has been accused of sexual abuse by multiple people, including members of a now-defunct pre-teen music group.

This problem is not limited to the Philippines. Globally, the music industry has seen numerous allegations of abuse and exploitation. One of the most recent is how Sean Combs, rapper and music mogul better known as “P. Diddy,” is accused of using his influence in the industry to perpetrate decades of alleged abuse.

In recent days, fans have also speculated that the victims could include people like Justin Bieber, as videos of him as a teenager have surfaced. It appears that he spent 48 hours with Combs while the “Baby” singer was still under the care of Usher, also a well-known R&B singer.

Combs’ case is no different from that of rapper and music producer R. Kelly, who is currently trying to avoid a 30-year prison sentence. R. Kelly, who is behind the hit song “Ignition,” was charged with sex trafficking involving underage victims.

These cases highlight a widespread problem affecting artists around the world and underscore the need for systemic change.

The revelations of abuse within the music industry require urgent and thorough investigation. In the Philippines, it is crucial that these cases are not taken lightly. Swift and decisive action is needed to protect young talent and ensure that the industry becomes a safe space for all artists.

The call for justice and reform is not just about addressing the wrongs of the past, but also about paving the way for a future in which talent can flourish without fear of exploitation.

Now we ask ourselves: Can the chains be broken? (Bulatlat.com)